Amazonian

The event was significant, therefore beyond marking one possible? new? route to the arts, had in way its idealizers talentosos and anxious artists for renewals. The Brazilian modernismo is divided in three phases: the first one that if it characterizes as most radical and completely contrary to that was previous, was irreverent and scandalous, second was aprazvel, formed for great poets and romancistas and at last third that also it are called after-modern, rank its position of discord of the aggressiveness of the ideas of the first generation. The phase that more characterizes the modernismo and its ideals of rupture is the first one, this lode to shock to all, giving a new motor force and a new face to the poetry chats and it Brazilian. It had an untiring search for that it was original, modern and that it scandalized, it declares the rupture of thoughts with on cultural traditionalism previous the literary schools. The heroic phase has in Mrio de Andrade, the picture of the revolution mainly in its chats, its workmanships causes desvario in the head of its readers, scandalizes bourgeois and pursues its predecessors. It fought for a Brazilian literature focusing the culture and the language lived deeply in Brazil, bradava the anti-romantismo. Amongst the workmanships of Mrio de Andrade, the one that more points the feeling of enlargement of the Brazilian culture and the people with its defects, devaneios, malice and laziness, is Macunama, the hero without no character, book published in 1928, is resulted of a research of the author about most innumerable and fantasiadas Amazonian legends. According to legends, Macunama is an aboriginal god, its name means? great the bad one? , and the characteristic of this god is to congregate in itself the good and the evil. Macunama is anti-hero of Brazilian literature, what it fits to disobey makes in the way that it judges better, that is, what will be better for itself.