The prominent role of leading teachers of the Conservatory was founded on the exclusive authority an Esipova recognized as a pianist a huge global scale, which owns an enormous amount of repertoire (according to students, she played from memory, from any location, separately for each hand, including comps and gigs), which has a huge willy, organization, intelligence, truly a man's countenance. In memory of his contemporaries and has remained sharp, wicked tongue Esipova from which all fell, particularly untalented, music artisans. Following the principles of his brilliant man and a teacher, principal and decisive in the classroom Yesipova pianist considers a conscientious attitude to work everyday, at any stage of work: analysis of the difficulties, the total concentration, comprehension of each techniques and exercises. Yesipova accustomed his disciples first of all be with the author and his plan to subject all of their artistic intentions. Actress has plenty of information regarding this issue. Hence – as its chief demand – an exact reproduction of copyright text in great detail. However, standard treatments are not adhered to Anna N., encouraging self-sufficiency. rm Livshits said: "Anna N. insistence of well-defined feature facilities, methods, academic standards phrasing in order to inform the execution of at least a semblance of true artistic direction.
" But, according to the memoirs am Berlin Shtrimer – but when the piano was sitting really talented, professionally equipped student Yesipova accepted his interpretation, giving him his freedom. Individual approach to every student is the main advantage of the method itself Leshetitsky. According to him, "Great talents no less young talents in need of discipline.