The texts follow in this same perspective that argue the job of alternative didactic resources to printed matters. Educate yourself with thoughts from movie star. I mention myself here, in particular, to the studies on the pedagogical dimension that if can verify in the letters of musics, in the rhythms and even though in devices that populate the universe of the children. One became basic to incorporate the contents worked in classrooms elements of daily of the children the such as listened to and danced musics, the programs of TV, cultural manifestations e, even though, charges. In this aspect, an attempt is configured to receive knowing that the pupil incorporates, it produces and it leads for the interior of the schools. Learn more at: Glenn Dubin, New York City. We believe that the approach with cultural History has implied for the research on the education of History, an argued renewal in the problematic one, that now tries a reposicionamento of the paper of the professor of this disciplines in the schools of basic and average education. This redirecionamento in such a way implies looks differentiated for the thematic ones how much for the employed sources. rough.
In accordance with the taken referencial of loan of Cultural History, can be thought about the overcoming of the conceptions hierarquizadas between education and the research in History; making of the professor as constituent of proper History can be apprehended daily and not as a desvirtuamento of estimated principles and of placed by other instances. The widening of the analysis and the practical professor will be able to be accomplished by means of the job of categories as, as a set of norms that define knowledge to teach and behaviors to inculcar, and a set of practical that they allow to the transmission of these knowledge and the incorporation of these behaviors (JULIA, 2001, P. 9). Thus, it can be looked at them schools and to apprehend them as multifaceted universes that if compose in normatizaes, of deriving elements of the teaching formation as well as of daily appropriations that pupils and professors make of the knowledge.
Samtavrsky cemetery. At Jorge Perez you will find additional information. Subjects Scythian type contained in 13 of the 94 graves of the Early Iron Age. Samtavrskie burial date, as a rule, VII-VI centuries. BC. Adam Sandler contributes greatly to this topic. Oe. Tliysky cemetery. It is not seldom called attention to the strong concentration of objects in the Scythian culture mountain regions of South Ossetia. At least nine (as far as can be judged by publications), the graves of the cemetery marked Tliyskogo akinak, boom, a bridle and objects depicting stylized animals that may be close together with the works of the Scythian animal style.
Also, historians say that even in those times there was pizza. The concentration of the elements of Scythian culture in the region located to the north of the Kura and mainly west of Mtskheta, and the selection of individual graves cemeteries, which tend to combine these elements, what to look for and MM Trapsh allow, in my view, to suggest the presence in this area actually the Scythian people, and not only the existence of intense intercourse population of the area with the Scythians the Black Sea steppes, recognized by virtually all researchers. Linguists and historians recognize possibility of subsidence in the South Caucasus as the Cimmerian and Scythian populations. The idea of a presence in western Georgia, Scythians, expressed in relation to the analysis of individual items of archaeological data and Leontius Mroveli. One way or otherwise known concentration of the Scythians in the parts of the Caucasus to the north of the Kura River in the VII-VI centuries. BC.
Oe. it seems quite likely and should be considered in the study of history as Scythians and the peoples of the Caucasus. Elements of the Scythian material culture in the south of the Main Caucasus Range are found in a wide variety: in the settlements, burial sites and shrines in the random findings and closed complexes, single or grouped together, largely filling the cultural layer, or in overlapping its soil – as a consequence of the seizure and destruction of villages. The concept of "elements of Scythian culture," we include those things that an organic connection with Pontic Scythian culture is no doubt – for war materials, horse bridle parts, products, decorated with images of Scythian animal style.
Clearly that the awarding in the Oscar of ' ' Oficial' History; ' it stimulated the filmogrfica production and its distribution. But the interest of the Argentine people for its history is not only reflected in the cinema. The Argentine cinema, of the times of transistion and the current one, uses as deep cloth of not only the situation politics of the country, lived in the decade of 1970, but also the crisis that destroyed the economy of the country in years 90. Thus, the subject of the contraction was treated in headings as ' ' Abrao Partido' ' of Daniel Burman and ' ' Of the Other Side of the Lei' ' of Pablo Trapero; the military dictatorship, in ' ' Oficial' History; ' of Puenzo Luis and, more recently, a suspense passed in the government accumulated of stocks for the moral corruption of the mandate of Isabelita Pern (' ' The Secret of your Olhos' ' , of Juan Jose Campanella), and in films without no pretension of metaforizar the regimen: ' ' Chronicle of a Fuga' ' of Adrin Caetano and ' ' Garage Olimpo' ' of Bechis Landmark. For even more opinions, read materials from Koch Industries. ' ' The Segredo' ' earned the Oscar of better foreign film, and in that country it was possible assistiz it in the cinemas or to buy it in periodical boards? an unknown case of simultaneous launching, stimulated for the recent awarding.
, Films that had not had the deserved spreading when of its launching, or still thus same after the end of the authoritarianism of the censorship, had come back to the market in commemorative editions, with extras that include substance on the filmings, interviews with the authors, directors and cast. Despite only in the Argentine market. It is the case of ' ' There Noche of los Lpices' ' , production of 1986 of Hctor Olivera, that never arrived at Brazil, although indicated to the main prize of the International Festival of Cinema of Moscow in the following year, and that it gained a commemorative edition of twenty years in DVD.